Deja Vu All Over Again
Oct142009
Revision. This is the last time I’m going over this scene until the whole book is done because I need to see the end to really understand the beginning, but it’s definitely better. I think.
Andie Miller sat in the reception room of the North-Archer Legal Group, holding onto a purse full of uncashed alimony checks and a lot of unresolved anger against her ex-husband. The anger had swamped her as soon as she’d walked back into the old Victorian where he lived and worked, which was dumb. This is why I never came back here. Nothing wrong with repressed anger as long as it stays repressed.
“Miss Miller?”
Andie jerked her head up to see North’s secretary, and a lock of her hair fell out of her chignon. She stuffed it back into the clip on the back of her head, thinking that if that secretary had a chignon, nothing would escape from it. The secretary was discreetly dressed and probably efficient and undoubtedly in control of her emotions. North was probably crazy about her.
“Mr. Archer will see you now,” the secretary said.
“Well, good for him.” Andie stood up, yanked on the hem of the only suit jacket she owned, and then wondered if she’d sounded too hostile.
“He’s really very nice,” the secretary confided as if trying to reassure her.
“No, he isn’t.” She walked to the door of North’s office, opened it before the secretary could get in ahead of her, and then stopped, taken aback in spite of herself.
North sat behind his massive desk, his cropped blond hair almost white in the sunlight from the large, mullioned window behind him. His wire rim glasses had slid too far down his nose again, and his shirt sleeves were rolled up over his forearms—Still playing raquetball, Andie thought—and his broad shoulders were as straight as ever as he studied the papers spread out across his massive desk. He looked exactly the way he had ten years ago when she’d bumped her suitcase on the door frame on her way out of town—
“Miss Miller is here,” his secretary said from behind her, and he looked up at her over his glasses, and the years fell away, and she was right back where she’d begun, staring into those blue-gray eyes, her heart pounding.
He stood up. “Andromeda. Thank you for coming.”
She crossed the thick rug, smiled tightly at him, decided that shaking his hand would be weird, and sat down. “I called you, remember? Thank you for seeing me.”
He sat down and said, “Thank you, Kristin,” to his secretary, who left.
“So the reason I called—” Andie began, just as he said, “How is your mother?”
So they were going to be polite. “Still crazy. How’s yours?”
“Lydia is fine, thank you.” He straightened the papers on his desk into one stack. A lot of really heavy trees had died to make that desk. His mother had probably gnawed them down and used her nails to saw the boards. “I’ll tell her you asked after her,” he said.
“She’ll be thrilled.” She opened her purse and took out the stack of alimony checks and put them on the desk. “I came to give these back to you.”
North looked at the checks for a moment, the sharp planes of his face looking drawn in the dim light.
“They’re all there,” she said, “one hundred and nineteen of them.”
His face was as expressionless as ever. “Why?”
“Because they’re a link between us. We haven’t talked in ten years but every month you send me a check even though you know I don’t want alimony. Which means every month I get an envelope in the mail that says I used to be married to you. And every month I don’t cash them, and it’s like we’re nodding in the street or something. We’re still communicating.”
“Not very well.” North looked at the stack. “Why now?”
“I’m getting married.”
She watched him go still, the pause stretching out until she said, “North?”
“Congratulations. Who’s the lucky man?”
“Will Spenser,” Andie said, pretty sure North wouldn’t know him.
“The mystery writer?”
“He’s a great guy. He’s good for me. He makes me laugh.” And he never forgets I exist. “I’m ready to settle down. So I’m drawing a line under my old life.” She nodded at the checks. “That’s why I came to give you those back. Don’t send any more. Please.”
After a moment, he nodded. “Of course. Congratulations. The family will want to send a gift .” He pulled his notepad toward him. “Are you registered?”
“No, I’m not registered,” Andie said, exasperated. “Technically, I’m not even engaged yet. He asked me. I haven’t told him yes yet. I needed to give you the checks back first.” She didn’t know why she’d expected him to have a reaction to the news. It wasn’t as if he still cared. She wasn’t sure he’d cared when she’d left.
“I see. Thank you for returning the checks.” North straightened the papers on his desk again, and then looked down at them for a long moment, as if he were reading them. He’d probably forgotten she was there because his work was more important. But when he looked up again, he said, “Perhaps, since you haven’t said yes yet, you could start your new life in November.”
“What?”
“I have a problem that you might be able to help with. It would only take you a month—”
“North, did you even hear what I said?”
“—and we’d pay you ten thousand dollars, plus expenses, room, and board.”
She started to protest and then thought, Ten thousand dollars?
He straightened the folder on his desk again. “Theodore Archer, a distant cousin, died last year and left two children orphans. He made me their guardian. I went down to see them at the family home where their aunt was taking care of them and they seemed fine. Unfortunately, she died in June. Since then I’ve hired three nannies to go down there, but none have stayed.”
Ten thousand dollars would pay off her credit card bills and her car. Ten thousand dollars would mean she could get married without debt. Not that Will cared, he’d told her it didn’t matter, but it would be better to go to him free and clear—
“We tried to bring the children here in June after their aunt’s death, but the little girl had a psychotic break when the nanny tried to take her away from the family home. The boy was sent away to boarding school at the beginning of August, but he’s back again, sent home for setting fires. I need someone to go down there and stabilize the situation, bring the children’s education up to standard for their grade level, and find a way to move them up here with us.”
Psychotic break? Setting fires? Andie shook her head and another chunk of hair slipped out of her chignon. “North, I have no idea how to help these kids,” she said, as she stuffed it back. “You need—”
“I need somebody who doesn’t care about the way things are supposed to be,” he said, his eyes sliding to her neck. “I think that’s where the nannies are going wrong. These kids are . . . different. I need somebody who will do the unconventional thing without blinking. Somebody who will change things.” He met her eyes. “Even if she doesn’t stay for the long haul.”
“Hey,” Andie said.
“Go down there for a month. I would take is as a personal favor. I’ve never asked you for anything—”
“You asked for a divorce.” As soon as she said it, she knew it was a mistake.
He looked at her over the tops of his glasses, exasperated. “I did not ask you for a divorce.”
“Yes, you did,” Andie said, in too far to stop now. “You told me that I seemed unhappy, and if that was true, you would understand if I divorced you.”
“You were playing Rita Coolidge every time I came up to the apartment. ‘I’d Rather Leave While I’m In Love.’ As hints go, it was pretty broad.”
He looked annoyed, so that was something, but it didn’t do anything for her anger. “There are people who, if their spouses are unhappy, try to do something about it.”
“I did. I gave you a divorce. You had one foot out the door anyway. Do we need to review that again?”
“No. The divorce is a dead subject.” And the ghost of it is sitting right here with us. Although maybe only with her. North didn’t looked haunted at all. Except by Rita Coolidge.
“I realize you’re getting ready to start a new life,” he went on. “But if you haven’t made plans yet, there’s no reason you couldn’t wait four more weeks. You could use the money for the wedding.”
“I don’t want a wedding. I want to get married. We can do that at a courthouse.” That’s what you and I did. Her anger welled up again. “And another thing, why are you offering me ten thousand dollars for a month of babysitting? You didn’t pay the nannies that. It’s ridiculous. For ten thousand dollars, you should not only get child care, you should get your house cleaned, your laundry done, your tires rotated, and if I were you, I’d insist on nightly blow jobs. Did you think I wouldn’t notice that you’re still trying to pay me off?”
He sat very still, which meant he was gathering his patience. Then he drew a breath and said, calmly, “Andromeda, I’m asking for a favor, a big one, and I don’t think the money is out of line. We didn’t leave our marriage enemies, so I don’t see why you’re hostile now.”
“I’m not hostile,” Andie said, and then added fairly, “Well, okay, I am hostile. You didn’t do anything to save our marriage ten years ago but you’ve been sending checks ever since as a way of holding on. It’s passive aggressive. Or something. You know the strongest memory I have of you? Sitting right there, behind that desk. You’d think I remember you naked or something with all the mattress time we clocked, but no, it’s you, staring at me from behind all that walnut as if you weren’t quite sure who I was. You have no idea how many times I wanted to take an ax to that damn desk just to see if you’d move.”
North looked down at his desk, perplexed.
“You hide behind it,” Andie said, sitting back now that she wasn’t repressing anything any more. “You use it to keep from getting emotionally involved.”
“I use it to write on.”
“You know what I mean. It gives you distance.”
“It gives me storage. Have you lost your mind?”
Andie looked at him for a moment, sitting there rigid and polite and completely inaccessible. “Yes. It was a bad idea coming back here. I should go now.” She stood up.
“She said the house is haunted,” North said.
“Excuse me?”
“The last nanny. She said there were ghosts in the house. I asked the local police to look into things to see if somebody was playing tricks, but they found nothing. I think it’s the kids, but if I send another nanny down like the previous ones, she’s going to quit, too. I need somebody different, somebody who’s fast on her feet, somebody who can handle the unexpected, somebody like you. And you’re the only person like you that I know.” He met her eyes again, and suddenly he was the old North again, warm and real and irresistible with that light in his eyes as he looked at her. “They’re little kids, Andie. I can’t get them out of there, and I can’t leave them there, and with Mother in France, I can’t leave the practice long enough to find out what’s going on, and even if I could, I don’t know anything about kids. I need you.”
“I don’t—”
“Everybody they’ve ever been close to has died,” North said quietly. “Everybody they’ve ever loved has left them. They need you. Not somebody, you.”
Bastard, Andie thought. She sat down, and the lock of hair fell out of her chignon again. Well, the hell with that, too.
“Give them a month, that’s all I ask. You can draw your line under us, I won’t call you and you won’t call me, you can send reports to Kristin, hell, take your fiance down there with you.”
“I’m the least maternal person I know,” Andie said.
“I don’t think they need maternal, I think they need you.”
“A little girl who’s a spoiled brat and a boy who’s growing up to be a serial killer.”
“They’re growing up alone,” North said, and Andie thought, Oh, hell.
He’d changed after all. She could see the stress in his face now, the lines that hadn’t been there ten years ago, the tightening of the skin over his bones, the age in the hollows under his eyes. His brother Southie probably still looked as smooth as a boiled egg, but North was still trapped behind that damn desk, taking care of everything in the family. And now there were two more in the family and he was still handling it alone.
“Please,” he said, those blue eyes fixed on her.
“Yes,” Andie said.
North drew a deep breath. “Thank you.” Then he put his glasses back on, professional again. “There’s a household account you can draw on for any expenses, and a credit card. The housekeeper will clean and cook for you. If you come by tomorrow,Kristin will give you a copy of this folder with everything you need in it and your check, of course.”
“Okay.” Andie sat there for a moment, still a little stunned that she’d said yes. She’d felt the same way after he’d proposed.
“I’d appreciate it if you could go down as soon as possible. The kids need you. And of course you’ll want to get the month over with so you can get married.”
“Right.” She shoved her hair back into the bobby pin, picked up her purse, and stood up again. “I’ll drive down tomorrow. I’ll keep in touch with Kristin. You have a good autumn terrorizing the opposing counsel.”
She headed for the door, refusing to look back. This was good. She could spare a month to save two orphans. Will was in New York for the next two weeks anyway, and he’d come home to a fiancee with no debt, and then–
“Andie,” North said, and she turned back in the doorway.
“Thank you,” he said, standing now behind his desk, tall and lean and beautiful and looking at her the way he’d used to.
Get out of here. “You’re welcome.”
Then she turned and walked out before he could say or do anything else that made her forget she was done with him.
78 Comments to 'Deja Vu All Over Again'
On October 14, 2009 at 10:06 am toni said...
Love. This.
Want the book NOW.
On October 14, 2009 at 10:15 am Michelle in Texas said...
So great! It’s so much cleaner, crisper. I liked the last version, but I love this one.
On October 14, 2009 at 10:16 am Sierra said...
I love it. The changes you made have left it with that distinctive and hard-to-define Crusie flow. We still get the necessary information, but it feels much more natural now. The one month specificity makes that aspect less confusing, I like that North mentions he thinks the kids are responsible, and Will feels less like a plot device on Andie’s part. I got a better sense of the setting, of their personalities…everything.
I also love Andie’s rebellious hair. Best addition, hands down. I’m looking forward to this book even more now, if that’s possible.
On October 14, 2009 at 10:18 am doris in munich said...
I love it! I love Andie and I’m intrigued by North. Please hurry up finishing, so that I can read the whole thing asap!
Thanks for this great appetizer!
Doris
On October 14, 2009 at 10:29 am Kyra said...
You know, I liked the first one just fine, but this one is MUCH better. You like North. You like Andie. And you are rooting for the kids. I cannot wait to get my hands on this book!
On October 14, 2009 at 10:32 am Omphale said...
Definitely better. I’m much more enthusiastic about these two. I’m still not buying the setup, but I suspect that once we get North’s POV, I’ll be on board.
Two extremely small notes:
1) He never takes his glasses off to put them back on. Something that I’m sure will be caught in re-write, but missing action like that always takes me out of the piece.
2) Chignon is a word I strongly associate with Regency historicals. It’s mildly distracting for this romance reader, and I would suggest bun or twist, but it is obviously a super-nitpick.
On October 14, 2009 at 7:52 pm PG said...
Chignon is still used pretty commonly today when referring to fancy updos (e.g. in coverage of Fashion Week or in bridal magazines), and using that particular word is effective here because Andie is struggling with it. Struggling with a bun makes her sound kind of incompetent; struggling with a chignon makes her sound relatable.
On October 15, 2009 at 6:21 am Carol-Ann McClay said...
Chignon made it sound like she’d really made a big effort on her hair to “impress” North, but since her hair wouldn’t behave we know that this isn’t an hairdo she usually wears.
Loving the new draft. Liked the first one, hadn’t any problems with it, but this is definitely tighter and better. Loved the desk.
On October 14, 2009 at 10:36 am caro said...
That’s impressively, overwhelmingly better — both stronger and tighter. I’d have read through the book anyway, because it’s a Crusie, but I didn’t have much anticipation since I found the people flat and uninteresting (unmotivated, as one of your cps said, I think) and a bit bored. Now I can’t wait to turn the next page. I find that shift a bit startling. The two versions side by side aren’t all that different, but wow, different.
I guess that’s why it’s called a “craft,” isn’t it? Thank you for the illustration of how critical that first scene is.
On October 14, 2009 at 10:37 am D. said...
Oh much, much better!! Sierra’s right, it has a more natural flow to it now. Love it, love it, love it. Can I have it for Christmas?
On October 14, 2009 at 11:07 am waitingforroark said...
Thanks for the preview! Leaps and bounds better. The scene is much tighter, and it gives me a better idea of who these characters are, including the ones you just mention. I can’t wait to read the book and meet everyone else!
On October 14, 2009 at 11:15 am Dayna said...
I like this. I think this is much tighter than the previous version. The history between them and the current situation (Andi agreeing to go take care of the kids) makes much more sense to me. And I like Andi and North a lot better than I did. I always look forward to a new book from you and I like the premise of this.
On October 14, 2009 at 11:28 am Beki said...
Oh, yes. This is it.
Now, write like the wind, Bulllseye.
On October 14, 2009 at 11:32 am Kiersten said...
You’re making me schizoid.
I read the first version and thought “yeah, that’s great” and then I thought about it and read some comments and thought about it and thought “ok, some tweaks would be good.”
Now I’ve read this revision and my first thought is “wow that is fantastic.”
Clearly I am a woman with a changeable mind though hopefully not easily so.
It does have that elusive Crusie flow as Sierra said and that was missing the first time around. I felt the crackle between Andie and North this time and he was so much more substantial that the earlier pass and more complex. The time restriction is definitely a plus and I so liked the slight airing of repressed feelings. Cutting down some of the initial mother angst and the secretary stuff was an improvement too. And no couch!
Really, a great improvement. I am now very much anticipating this book and can’t wait to delve into the whole thing.
On October 14, 2009 at 11:35 am carny said...
Hate to say it, but the anviliciousness seems to have *increased* greatly. Sounds like you’re right to walk away from this scene. Come back when you’ve got the rest of the book down, and remember to trust your readers.
On October 14, 2009 at 11:41 am JenK said...
More, please. Now.
On October 14, 2009 at 11:57 am Stacey said...
I liked the first one, but this one is even better! Love that you added her hair falling out of her chignon, and that sex never was a problem between them. I have only one tiny thing. When Andie asks about Lydia I think North should say something about her traveling then. Because later when he says “..and Mother is in France”, it just seems to come out of left field. If he mentions France when she asks about her, then later on he can say, “and with Mother abroad” or “and with Mother traveling”. Just a thought.
Keep up the great work
On October 14, 2009 at 12:01 pm Jennifer said...
It’s perfect.
On October 14, 2009 at 12:19 pm Marta said...
OMG! You fixed everything! You fixed what I only managed to articulate five minutes ago on the previous post.
It’s tight now, without sacrificing the info. North and Andie are in balance. He’s gained some grit. She’s lost the petulance and shows compassion for the kids. You gave me everything I asked for. You must be The Best Santa Ever!
Her handing the checks over at the very beginning was the key to correcting the flow. Why couldn’t I see that until you did it? Andie no longer comes off as ineffective, which I just now realized was part of what was bugging me about her. The previous version, I couldn’t catch hold of anything about her to justify North’s confidence that she was what the kids needed.
And, that first paragraph? Exquisite. Andie hooks us right off the bat. We know where she is, why she’s there, and what she’s struggling with. What astonishes me is that the previous version was really, really good. But you tweak it a little, and, wow, the difference is enormous. Everything just falls into place. Queen of the Lab title is definitely yours today.
Of course, I still want the Crusie version of “oh hell, just hell” back. ‘Cause it say more than “oh, hell” all on it’s own.
On October 14, 2009 at 12:42 pm robena grant said...
This is great. I agree with Marta. That first impression of Andie hooks me, I get a sense of who she is and what this story is going to be about. It’s those qualities of Andie’s that make me want to take this journey. You brought her onto the page in action yet showing her true nature.
It’s funny how all of the information was there in the first draft and just needed a bit of a cut and paste to all come together with that Crusie glow. Yay! Wish I could do that. I’m going now to take another look at the OS of my WIP.
Can’t wait for the book.
On October 14, 2009 at 1:04 pm Jana said...
Holy cow. I admired the first draft, but I love this! And yet the changes seem so small. Shows why you’re the master. Can’t wait for the entire book.
On October 14, 2009 at 2:07 pm Jana said...
I take it back: I looked closer and there are a LOT of changes. But I don’t take back the rest, ’cause they’re all great!
On October 14, 2009 at 1:07 pm Brooke said...
I love it. I completely love it: the way North knows how to get her to go to the house, the way her hair keeps escaping from its chignon (so much for repressing her anger), the way North is inaccessible, and then vulnerable, and then inaccessible again. The way Andie describes his mother. I love it all. Don’t change so much as a comma.
On October 14, 2009 at 1:21 pm TerriO said...
This does move faster and puts me inside the characters instead of just inside the room, which is what I love about your books. Just one question, why did you leave out the fact that she’s a teacher in this version?
On October 14, 2009 at 1:31 pm Kelly said...
I too think it is much tighter and definitely better. You’re probably not worried about nitpicky little things here, more concepts, so I apologize but feel the need to point out the “to here” text made me stumble and would think “here” is enough. It is the the paragraph that starts, “We tried to bring the children to here in June…”
On October 14, 2009 at 1:39 pm Deanna Nelle said...
AWESOME!!!! WOOHOO!!! I can’t believe that you can rewrite a scene and make it feel so different. This has the Crusie flavor and zip- smart, interesting, and a dash of snark. LOVE.
On October 14, 2009 at 1:43 pm Jenny said...
Well, thank you all very much. I like it a lot better, too. The thing is, I couldn’t get here without having gone through the forty-eight drafts before this, and there’ll be a couple of others once the whole book is written, so it’s all part of the process. And a bitch of a process it is, too.
The “to here” is a vestigial tail, it’s a blip from a previous cut and paste, so thanks for catching that, Kelly.
Andie being a teacher just got lost in the cuts. It happens. If there’s a place I can put it back naturally, I will.
I think the biggest shift was giving Andie a goal in the scene that she pursues immediately instead of letting North run over her, which stops North who moves to block her from severing the connection without thinking it through, which gives her pause because she has a real reason to want the money. So what she wants from him (freedom) leads to him offering her the job (to block her) which ironically will make it easier for her to say yes to Will (no debt) and that gives them an organic conflict. Plus all the decisions take place on the page instead of him deciding to offer her the job beforehand. That was a major ah-ha moment for me. Everything else pretty much stemmed from that shift.
On October 14, 2009 at 8:45 pm Marta said...
Hours later, and I’m still seeing shades of aurora borealis around the rewrite.
The reason Andie’s there hasn’t changed, but she’s wearing her big girl panties this time, and cuts straight to the point. She’s not running an unpleasant errand anymore. Just by amping up her emotional state and her determination, you’ve turned her into a woman on a mission. Everything else comes straight into line. Except her hair, which she just chalks up as collateral damage and moves on.
I was thinking the before and after could make a great workshop. For after the book’s done. Way after. When you’re all rested up. And, possibly, inebriated.
On October 14, 2009 at 8:56 pm Jenny said...
Yes, but I start another one as soon as this one is done. I’m behind on my contract.
Sometimes your brains just dribble out your ears doing this.
On October 14, 2009 at 9:02 pm Marta said...
Yeah, that’s why I buy super-absorbent earmuffs. Wearing a hairdresser’s cape helps, too.
On October 14, 2009 at 1:44 pm CrankyOtter said...
I’d buy just the chapter.
I thought the first was good, until I read this and know see just how amazingly better it got. No weirdness with the coffee/tea thing. (We get how he “remembers” her by talk of her unconventional attitudes.) No Fast Women flashbacks. Keeps the Great Desk Dialogue, which made me LOL this time instead of just grin. Makes North reasonable – he’s been to see the kids and has good reasons for being in a different place. Only question I have is how they can keep a housekeeper but not a nanny, but I easily assumed the housekeeper is a longstanding employee who does not consider childcare part of her duties, but is willing to stand in temporarily as long as a child care expert is found.
Stupendous. The girls in the basement and your ability to re-write have done you proud. Go write the rest! Pretty Please!
On October 14, 2009 at 1:48 pm Kelli said...
I am so excited to get this next book!! I missed the old version but I love what I read!
On October 14, 2009 at 2:38 pm Louis said...
I really, really, really want to read the rest of this book.
Write fast!
On October 14, 2009 at 2:46 pm Carol Anne said...
That was a lesson in the craft of writing. Love it.
On October 14, 2009 at 3:59 pm Jill said...
It’s tighter, cleaner. It will be fun to see what you change after you write the last scene of the book.
On October 14, 2009 at 5:48 pm Briana said...
<3
Happy.
On October 14, 2009 at 5:58 pm Kira said...
“free and clear” – that one phrase put the entire scene into perspective for me.
Now you have to do this for 200+ pages? OMG.
On October 14, 2009 at 6:03 pm Hannah Dymond said...
This time I liked her too. I liked them both. Look forward to reading the book!
On October 14, 2009 at 8:49 pm Lori J. said...
Definitely better. It’s tighter and the characters are better defined. In the first one, Andie came off as TSTL. And North had no personality except Bastard. Now I care for North and want to see how Andie handles the situation with the kids. I’m so looking forward to reading the book.
On October 14, 2009 at 9:01 pm GatorPerson said...
Just right. All tightened up. Wow! You listened to us, too.
On October 14, 2009 at 9:01 pm Jenny said...
So I’m editing the first half of the book now to truck draft stage, about 50,000 words. This scene was 2500. The entire book will be around 100,000.
I mention this only because some people ask why there’s not a new book out every year. THIS is why.
And now back into the book . . .
On October 14, 2009 at 11:52 pm SueG said...
It’s great, Jenny. I thought it was good before and was involved, but now it’s going to be hard to wait for you to finish. I love that you left the checks in, they’re important and the “naked” comment is priceless. I love the escaping hair, not quite as in control as she’d like to believe, it’s an important addition. Just a bit of insight into Andie’s mindset.
Good Luck with the editing. I’ll try not to whine while I’m waaaating
)
On October 14, 2009 at 11:53 pm SueG said...
I guess when I whine I can’t spell. That was suppose to be waaaiting
On October 15, 2009 at 4:14 am Reb said...
This is so much better. I’m really impressed. But heck, doing this for the whole book? Ouch. I certainly see why you don’t get a new book out every year.
On October 15, 2009 at 8:34 am Office Wench Cherry said...
Wheeeee! I love that. Andi hooked me at the bit about there being nothing wrong with repressed anger so long as it stays repressed. *That’s* a woman I can relate to. LOL. I have a much better sense of Andi as a person, she has that Crusie heroine vibe now.
I love the desk bits now, both Andi taking an ax to it and Lydia gnawing down the trees to make it. Very telling.
I can’t wait for this one.
On October 15, 2009 at 8:43 am Jana said...
You say, “The thing is, I couldn’t get here without having gone through the forty-eight drafts before this, and there’ll be a couple of others once the whole book is written…”
I am fascinated. How do you even see what you’ve written after forty-eight drafts? Heck, how do you see it after four? This would be a great subject for a blog post, not that I’m hinting or anything.
On October 15, 2009 at 9:44 am Ginger said...
I could read that right NOW. I am looking forward to this book debuting.
On October 15, 2009 at 10:03 am Shari S said...
This is wonderful, I feel better about North and the situation with the kids. I see he cares about them now. I was feeling some tension between them “his eyes sliding down to her neck”. Love it.
On October 15, 2009 at 12:03 pm Cathy said...
Yes, yes, yes, yes! This is fantastic. She seemed almost childlike before, and now she has a backbone and plans but you can tell she hasn’t got it quite all together. I really like her. I like the “nodding in the street” line, and the reasons for keeping the checks and giving them back is great, as is her motivation for putting her life on hold for a bit (paying off her debt). I like North much better now too. It seems like you’ve cut a lot, but it just flows so much easier and I “get” them now. They’ve been crusie-fied.
On October 15, 2009 at 1:10 pm jenb said...
Wow..a grand slam.
I read it to my dear husband and he too
wanted to know how much longer we
must we wait.
Quoting from what you have said before,
“Patience, Grasshopper, Patience.”
On October 15, 2009 at 3:38 pm glee said...
I love everything about this except for this para:
“He straightened the folder on his desk again. “Theodore Archer, a distant cousin, died last year and left two children orphans. He made me their guardian. I went down to see them at the family home where their aunt was taking care of them and they seemed fine. Unfortunately, she died in June. Since then I’ve hired three nannies to go down there, but none have stayed.””
something about it seems too dry or staid or something (she said, illustrating why I shouldn’t try story-telling as a profession). Maybe too much info and sounds like a radio newsbroadcast? Something strikes me as not quite the right tone.
I share others’ awe of how much has changed and how much more interesting and engaging the scene is now. and, of course, I look forward to seeing how it all turns out.
On October 15, 2009 at 4:51 pm PG said...
The first paragraph is the only part that didn’t absolutely sing for me. I loved the last two sentences in italics, but the first two sentences felt slightly awkward. I think it’s the ambiguity in what the “which” in “which was dumb” is referring to. Is it the anger she’s calling dumb (which would make sense grammatically) or is the fact she’s walked back into the old Victorian that she’s calling dumb (which would make more sense with what comes next about repressed anger)?
Andie Miller sat in the reception room of the North-Archer Legal Group, holding onto a purse full of uncashed alimony checks and a lot of unresolved anger against her ex-husband. The anger had swamped her as soon as she’d walked back into the old Victorian where he lived and worked, which was dumb. This is why I never came back here. Nothing wrong with repressed anger as long as it stays repressed.
On October 15, 2009 at 8:13 pm D. said...
I don’t have the same problem with this one. I think it’s pretty clear that it’s the surge of anger that she’s calling dumb. Why should she be angry after all that time? That’s dumb. The anger was repressed and should’ve stayed repressed. Hell, after 10 years, it should’ve been completely squished by the repression, died quietly, turned to dust, and blown away.
So, yah, makes sense to me.
On October 15, 2009 at 5:38 pm Kira said...
“which” could also refer to living and working in the old Victorian. Sounds dumb to me – who would work in an old Victorian?
sorry….
I guess we can nitpick every single word – but only because you’ve read it 48 times. And we’re HAPPY to read 48 more drafts, oh yes.
On October 15, 2009 at 7:06 pm Egads said...
I enjoyed this. Thank you.
On October 15, 2009 at 10:03 pm Flamingo Cherry said...
I like it a lot. I think it’s a tighter and cleaner than the previous version, and the motivation works better for me. Thanks a bunch! Like everyone else, I’m waiting impatiently to buy it. Grin.
On October 15, 2009 at 11:17 pm Micki said...
Wah! Took too long to post, and lost my comment. Anyway, it’s getting there! And it *is* much better than the earlier version. First paragraph seems too much telling about how angry she is, but I’m sure that will be fixed.
The alimony vs. salary debate didn’t bother me until I read the comments. Maybe a whisper of what the alimony means would be a help? Why does she object? “I’m not a charity case.” “I’m not another family member to be checked off your list of things to do.” “Those damn things remind me of you every time, but a salary would be a one-shot deal, and the end of it.” “Stop trying to control me with your money!”
Look forward to it . . . and Wild Ride, too!
On October 16, 2009 at 12:39 am marly said...
I admit I had to look up “anviliciousness” – and if I understand correctly and I may not since it’s a writer’s or director’s word – there are lines or plot points that are so obvious that they might as well be etched on an anvil and dropped on my head. I’m still lost since I can’t find those lines or plot points. That could mean I’m as thick as an anvil, but speaking strictly as a reader, I adored the scene. Read it to my nearest and dearest and he laughed out loud at what you should get for $10,000. In five years or ten years, I’ve no doubt I’ll still be loving Andie and North. They’ll be so memorable that I’ll know exactly what they look like (although I’ll have a bit of trouble getting them to age).
On October 16, 2009 at 2:32 am Sheri said...
Ok–this is the Crusie I have come to know and love….
On October 16, 2009 at 10:08 am Jo Walton said...
Yes. That fixes everything. I am no longer fighting to believe she’d accept. I do agree with the person above who said North should mention that his mother’s in France when Andie asks about her. Otherwise, that seems good to go.
On October 16, 2009 at 11:58 am Charlene Teglia said...
Oh, you nailed it that time!
On October 16, 2009 at 2:59 pm Jess said...
“So I’m drawing a line under my old life”
“You can draw your line under us,”
I’ve never heard this expression. What does it mean? Usually underlining something means to emphasis it. In this context it seems like she wants to do the opposite. I guess I wouldn’t notice so much, but they both say it, so I feel like it has some significance.
Also, a quick confession…I didn’t even read the whole thing the first time you posted it. I read it all this time though!
On October 16, 2009 at 4:56 pm PG said...
I thought it was being used in an accounting sense: draw a line under the various items to indicate that this is all of them; tot ‘em up and get a total and you’re done.
On October 16, 2009 at 6:10 pm Marta said...
A line drawn under a single item denotes emphasis. A line drawn under a list or group of items is used to isolate or end it. Sort of like the the decorative squiggles at the end of a book, which always make me think of Porky Pig saying, “Th-th-th-that’s all folks!”
On October 16, 2009 at 3:30 pm CatScott said...
Wow. The difference is incredible. They’re both more real and much more likable. Love that you kept the uncashed checks in the story. I love a good unresolved relationship….er…in books, not real life.
Love, love, love it! Can’t wait to read the book.
Are we almost there yet??
On October 16, 2009 at 5:25 pm Robin S. Sorrentino said...
The first time I read your exert, I loved it. I read all the comments people left and could see their points but I still loved it. Now it’s great. It fixes what didn’t work, adds layers of complexity and foreshadows what is coming. Now finish it please so I can buy it.
Thank you for deleting the cat torture reference.
On October 16, 2009 at 6:31 pm Jenny said...
I tortured a cat?
On October 16, 2009 at 6:57 pm Marta said...
No, no, no. You mentioned a cat. That’s all. It was one of the things North included when explaining Carter’s recent troubles. A cat was mentioned. We may, as readers with your earlier warning that bad things were going to happen in AKMG, and influenced by Andie’s wondering if Carter was a future serial killer, have jumped to the conclusion that bad things happened to the cat. That’s the power of the Crusie pen. Or keyboard.
I confess the possibility of bad things happening to an animal bothered me, too.
On October 16, 2009 at 5:54 pm Emily said...
Wow. I liked the first version, but I LOVE this one. I particularly liked North’s snark about “even if it’s not for the long haul” (shows that from his perspective, Andie bolted, and that he’s still a little bitter about that. It makes him more human and invested in their relationship). I love the line “It gives me storage. Have you lost your mind?” I’m glad you kept that one.
Can’t wait for the whole book… are we there yet??
On October 17, 2009 at 11:10 am Sheri said...
Yes, the desk has many possibilities….. *grin*
On October 17, 2009 at 1:58 pm Savvy2 said...
The changes are good. I really like Andie’s straight-forward determination of settling the past in order to move on.
This is the only thing that threw me, in the 3rd paragraph from the last: “Thank you,” he said, standing now behind his desk, tall and lean and beautiful and looking at her the way he’d used to. It was the “he’d used to.” I’m used to reading “the way he used to.” Nothing else stopped me.
I look forward to the book.
On October 17, 2009 at 2:43 pm Jenny said...
Just so you won’t be disappointed, the desk never gets what you’re asking for. Andie goes south and doesn’t see the desk again until the very last scene with Alice. Feel free to fantasize what happens after the book is over, of course. Just don’t go looking for a desk scene.
On October 17, 2009 at 3:14 pm Sharon said...
The scene is great! Thanks for sharing it.
On October 17, 2009 at 8:30 pm Mariah said...
Wow, that was a much stronger scene, and a much stronger Andie. Now I get why she’s not cashing the checks, she’s too angry. I like.
On October 19, 2009 at 10:00 am Myra said...
MarVOOlous!!! I loved it. Can’t wait for the book to be in my hands….they’re itching for it
On October 19, 2009 at 11:38 am Gabrielle Charbonnet said...
So much better. It’s cleaner, tighter, and grows more organically. The characters are now running the show, making their own decisions, and that adds energy and impetus to the writing and the scene. Andie seems strong but still vulnerable, and her motivations make more sense. Good job.
On October 19, 2009 at 1:47 pm Mary Stella said...
Love it. You cut out what wasn’t necessary, crystallized the important stuff, and wrapped it all up in classic Crusie wit. I crave the next chapter for two reasons: 1) Now I need to know why Andie is the perfect person because it has to be more than the fact that she’s fast on her feet, thinks outside the box etc. 2) Did North think of Andie before she called for the appointment to return the checks or did she call and he viewed this as an opportunity to accomplish two goals — get someone for the kids and get this particular someone back into his life?
On November 1, 2009 at 2:22 pm Shangrila said...
Gorgeous, genius scene. You fixed everything-this time around I actually got teary when North meets her eyes and says, “They’re little kids, Andie.” Also, I like her a lot, now. Maybe for me internal dialogue (implied or literal)=I like her? Write on, chica, right on!